Now, now. I really do like LA. I love the energy, the history, and just the overall punk rock feeling mixed with the uber corporate. The best of both worlds really, but also an incredibly strange place. Very ugly beautiful, but the other way around, I guess. Beautiful ugly?

Enough of my rambling! There is a point to this entry, I promise.

It’s the beginning of June. The beginning of Summer. And when I think of summer, I think of travel and trips on the metrolink to LA, because I did a lot of that last year. Whether it was to visit friends who live there or to see shows, LA will always be associated with summer and good friends for me.

So! This summer there are a lot of cool exhibits and museums that I need to check out. You should too! Here are my top three that I need to see (like that rhyme?):

Classical Frieze: Eleanor Antin at LACMA

Remember a long time ago when I went to see WACK at the Geffen Contemporary? And how I went on and on about how much I love Eleanor Antin? Well, to reiterate, I think the lady is pretty great. I want to see her newer work and how she has evolved as an artist and great thinker.

The Darker Side of Light: Arts of Privacy, 1850-1900 at the Hammer Museum

The museum website describes this exhibit as the hidden art from this time; the seedy underbelly, if you will. Focusing mostly on works from France and Germany, these pieces present a darker side of the Impressionist era.  I’ve never been to the Hammer Museum. I remember last year they were showing Kara Walker’s work and I missed out! I will not miss this.

Craft and Folk Art Museum

Their tagline explains “because a shrinking world requires an expanded mind.” YES! I agree, CaFAM! Their exhibit Celestial Ash looks neat. Their other current exhibit doesn’t sound all that exciting to me. I’m interested in seeing their permanent collection. I can’t believe this museum is right across the street from LACMA and I’ve never noticed it! I stumbled upon this site today. I’ll keep you posted when I visit. Admission is $5 for general public. Not too shabby!

I had never been there, and definitely want to go back sometime and check out all of the museums in Exposition Park. It seems like a fun place to take my sisters. Anyway, the event was really thought provoking. I learned so much about how many individuals and families are affected by Three Strikes. It was heartbreaking to meet so many mothers who have sons or daughters in prison for non-violent crimes that do not warrant a life sentence. After meeting these families and hearing their stories, it infuriates me to think that Californians could ignore these injustices. According to Dean Erwin Chemerinsky, who was the keynote speaker, African Americans make up 7% of California’s population, yet they represent 45% of those in prison because of three strikes sentencing. Something is definitely wrong here.

The Benefit held a silent auction for artwork made by prisoners at Security Housing Unit — or the SHU, at Pelican Bay State Prison in Northern California. Prisoners are not allowed to use art materials in “the hole” so prisoners improvise and use paper pulp from magazines or toilet paper and place that on drawing paper. Colors are obtained by using the coating of vitamins, candy or coffee.

A lot of individuals and groups were present to support FACTS and it was really great to see so many grassroots and non-profit organizations come together to create visibility for an issue that seems to be so hidden and unspoken. The Youth Justice Coalition was in attendance and a young activist performed a spoken word piece that was as gritty and dark as her experiences on the rough streets of LA. As she said in her poem “we’re the children who rose from Watts in ’65… we’ve had enough, take the system down, and build something, now.”

It is imperative that the three strikes law be amended. The prison industrial complex is flawed, prisons are astoundingly overcrowded, and there are obvious racial implications when looking at the statistics. Funding really needs to go to rehabilitation rather than putting people away for life for non-violent crimes. Until that happens, the injustice will continue, and these individuals and their families will continue to be oppressed by the system.

Of course, I cannot talk about the OC Fair without mentioning that my roommate, the amazing KENDRA, won 1st place in the memorabilia contest! You go girl! I’m such a proud roomie. As the description says (photo to be added later), she has collected over 100 Vivien Leigh items. That’s a lot of old stuff… and a lot of hard earned cash spent on that old stuff. Homegirl is going to be able to fill a museum soon. We should start charging when people come over to visit.

In other news, in addition to my ongoing attempts to finish reading the legendary Harry Potter series (I’m still on book 5), I am reading Tiny Ladies in Shiny Pants by Jill Soloway

At first, when reading through her 3 introductions, I got kind of annoyed with her cocky tone. A friend of mine got me this book for my birthday via my amazon wish list. I think I added it to my wish list because at the time I was really into reading as much feminist-y stuff as possible. I think the beginning of the book frustrated me because I felt like Jill was one of those feminists who give feminists a bad name, in my opinion. They think they know everything, and they think everyone who disagrees with them are inferior. Which, you know, is kind of lame. BUT. I continued reading and soon realized that I am actually really liking this book. It reminds me of Me Talk Pretty One Day by David Sedaris. So if you liked that book, you’d most likely enjoy this one. Anyway, I have about 50 pages to go. Oh, I’m on Goodreads, and highly recommend it if you like to keep track of what you’ve read, and/or like to see what your friends are reading.

In other news, my roommate and I went to the Long Beach Antique Market on Sunday and boy oh boy was it hot!

I don’t know why… but I assumed it would be indoors so I didn’t wear any sunblock. Needless to say my skin is pretty mad at me today. BUT I found a lot of great deals. I was surprised by the wide variety of goodies the Antique Market vendors had to offer. From vintage clothing to old comic books and action figures. There was something for everyone. My favorite find of the day was a Paul de Longpre framed print for only $5. Yeow Yeow. All in all good times were had.

Anyhoo, it’s been a while since I’ve last updated, so here’s a little visual update:

My good friend Marissa ventured down from the splendid North (Rohnert Park, CA to be exact) to hang out and bond. Marissa and I discovered a tradition that we have of always visiting museums when we spend time together. In the past we’ve visited the SF MOMA, the Boston Institute of Contemporary Art, the DeYoung Museum, and the list goes on. This time, since she flew into LAX, we hopped over to the J. Paul Getty Museum. What a perfect day. The weather was beautiful, and the museum was not at all crowded. The Getty has a handful of exhibits currently running, but here are a few that I thought were worth mentioning:

The Goat’s Dance: Photographs by Graciela Iturbide -

This exhibit showcases the photography of Graciela Iturbide, from the barrios of Los Angeles to the wide open spaces of Sonora, Mexico. She captures the in-your-face nature of the cholos and cholas from the infamous White Fence and Maravillas gangs of East LA. The subjects of her photographs are compelling and allow us a glimpse into their dynamic world.

Consuming Passion: Fragonard’s Allegories of Love -

I absolutely loved these pieces, and I loved seeing the process in making pieces of such detail. The Getty provides not only the finished paintings for our viewing pleasure, but includes some original sketches and/or drafts and variations of the pieces. Very neat experience.

Alas, my Friday spent at the Getty came and went. The two hours we spent in pre-rush hour traffic back to Huntington could have been worse. I, of course, played my Shirley Temple’s Greatest Hits CD… but soon realized that I was the only one enjoying it. Needless to say, it did not help. Luckily we talked up a storm and passed the time the best we could.

Every now and then I get an itch to create an addition to my wardrobe. Usually this itch is a result of disappointing selections at clothing stores. My quest this time is to create the perfect jumper. The jumper is something I struggle with. Why? Well, for one, it can easily look like a Muumuu. And secondly it can make one look very juvenile- and being the youngest person in my workplace, looking more juvenile than I already do is not ideal. So, I have been doing some research. Luckily for me, Joann’s had an amazing sale on Simplicity patterns yesterday. I bought 10 patterns for $10! Woo woo. So here is the pattern I am using for my jumper:

I basically finished it last night, save for a few details that need some hand sewing, but I still feel like it looks a bit muumuu-ish. So, after perusing the good old internet I’ve found some inspiring jumpers:

I really like this jumper by Chloe. I like the bagginess, and the way the garment is styled with the collared undershirt.

I really like the way this jumper bubbles at the bottom, but not in the typical “bubble skirt” kind of way. I might utilize this technique.

The “Maeby Jumper” by Mooka Kinney, a dress designing duo from New York. I absolutely love what they do. Totally inspiring.

I’ll keep you posted on my progress with the perfect jumper…

The Graphic Imperative: International Posters for Peace, Social Justice & the Environment, 1965-2005

Where?
Cal State Los Angeles
Luckman Gallery
5151 State University Dr.
Los Angeles, CA 90032-8116
(323) 343-6604

When?
October 27-December 15, 2007
Gallery Hours: Mon-Thurs. and Sat. 12-5pm

How much?
FREE, except for the dollar that you’ll pay for parking… which is a bargain for parking in LA.

I STILL don’t get it.
What initially drew me to this exhibit? Two words: Guerilla Girls! I love seeing their pieces at different exhibits. They’re so inspiring, I would never pass up an opportunity to experience their work up close. The aura of powerful women is always palpable. I know their pieces are posters, and it’s not exactly the same as viewing a painting, because it’s not one of a kind… but I think that’s what’s so great about this exhibit, and about the graphic arts in general. Graphic art, for me, has so much cultural influence and resonates loudly irregardless of which form it takes; whether it’s a billboard, graffiti, a sticker, or in this case, a poster. It’s a piece of art that is utilized in the mainstream of everyday and in turn may be discussed outside of the political arena, making these issues everyone’s problem instead of just the government’s. It’s kind of sneaky if you think about it. We are advertising a social movement like we’re advertising a consumer good. If you capture someone’s attention, the product becomes more popular, and then more people will jump on the bandwagon. Well, that’s in the utopia for social movements in my mind, but I guess in the real world it’s a little more difficult.

The Graphic Imperative exhibits 111 posters that have served to create awareness of social issues or injustices that existed, and in turn created a discourse to try to make change happen. The exhibit includes posters from the past 40 years; four decades that were critical to many issues such as unfair labor, racism, violence against women, AIDS, the environment, and many more.

The Luckman Art Gallery at CSLA is pretty small space, but an average size for a University art gallery. Although the exhibit is small its message is anything but.

Where?
6767 Bright Ave.
Whittier, CA 90601
562.696.9493
When?
August 11 – September 1, 2007
Gallery Hours: Tues.-Sat. 11:30am-9pm
How much?
FREE
I STILL don’t get it.
This show focuses on the pieces of four artists from the California College of Arts and Crafts: Ryan Martin, Nohemi Espinoza, Ramiro Hernandez, and Mick Farrell. Each with his/her unique perspective and concentration, this show exhibits merely a peak at the inner psyches of these distinct talents. From the abstract layered compositions Hernandez presents and explains to be reminiscent of his childhood to the almost surreal perfection of Martin’s portraits which exude a type of nostalgia for the beauty of innocence. Espinoza’s mixed media works express the juxtaposition of naivete and perversion while Farrell’s ink renderings add a dark humor which he explains are influenced by a mixture of found objects such as “a yearbook from the 1970s.”

Overall this was a really fun show to see. The Bluebird Art House is quaint and intimate, which makes for a great experience. The artists were all great to talk to, and my Aunt and I had fun arguing whether the abstract shape in one of Espinoza’s pieces was a pelvis or intestines. Even though the space was so small, I ended up sticking around for a couple of hours (4 total). The people were great, the art was great, and the DJ was great.

So, my camera ran out of battery basically right when I got there so I was only able to take one picture:

Yup. That’s the DJ. P Looks like you’ll have to go to The Bluebird Art House yourself if you want to see any art. But I must say, the DJ was pretty amazing. Never have I heard a DJ go from playing the Fugees to retro Indian music to Salsa. Talk about a treat for the ears. All in all the evening proved to be an amazing one and absolutely inspirational to the fans of art (–> Me.)

Other than the junk food, I always love the contests. Mainly, the quilting contest. One day I will enter in it, but for now I will just continue admiring. Also! Added bonus… some amazing person embroidered a picture of none other than Elizabeth I.

One contest I was very confused by was what seemed to be a “stuff” contest. Really. Display after glass display of themed stuff. Beach Boys stuff, Elvis stuff, a collection of Heinz cans?! My first thought was, ‘oh! They’re installations of some sort. Ready-made art! I get it…’ but no. I don’t think it was that complicated. So Kendra and I decided that we will enter in this “stuff” contest next year. She is probably the biggest collector (at least that I know) of Vivien Leigh memorabilia. And I am a moderate collector of Lucille Ball memorabilia. We’ll see what happens. It’s on!

We then headed over to the photo and painting exhibit, where we continued to be amazed and inspired. This piece was probably my favorite. It also reminded me that I need to do laundry.

The last adventure that we embarked on was the animal section. I am not a big fan of farm animals because, well, they smell. But I did see a cute bunny. That was neat. That area was mostly just sad. I know the animals are probably taken care of considerably well (especially since I saw a few PETA signs here and there), but their cages were so tiny. Main complaint: Why the hell did it cost $1 to see the giant horse? And more importantly, why was said giant horse in the smallest tent imaginable, with barely any sunlight? I mean, yeah, that was a huge friggin horse. Wow. But, after being in the tent for 10 seconds I started feeling really bad for this horse, and so did the 7 other people in the tent. Kendra wanted to bring it home with us, but I told her that it wouldn’t even fit in our living room. Ultimately this horse made me think of the following scene from the critically acclaimed film, Follow That Bird (1985):
Big Bird: Say, there’s a lady named Miss Finch who’s chasing me. Do you mind if I hide in your fun fair?
Sam Sleaze: Why, no, not at all. We have the perfect place for you to hide. Right here in our hiding cage.
Sid Sleaze: You’ll be safe here.
Sam Sleaze: Yeah, real safe.
Big Bird: Gee, thanks. Oh, gee, I sure am a lucky bird.

Are you crying yet?

Ok, end of the rant. But this brings me to the newest exhibit at our very own Orange County Museum of Art. I haven’t visited this museum since, oh, the John Waters: Change of Life exhibition which in my opinion was one of the best exhibits I have ever witnessed. John Waters is a hero indeed. But for the good year and a half since that show everything there has looked pretty boring, to be honest with you. Until now! ::cheers:: Opening this Sunday…

Art Since the 1960s: California Experiments

Where?
Orange County Museum of Art
850 San Clemente Drive
Newport Beach, CA 92660
When?
July 15th 2007- September 14, 2008
(Museum hours: Wed – Sun 11-5pm; Thurs 11-8pm)
How much?
Ten big ones.
I STILL don’t get it.
Well, this exhibit will highlight pieces from the museum’s permanent collection that focus on post 1960s contemporary art. What am I excited about? Of course seeing more of Eleanor Antin’s work. When I saw her Carving: A Traditional Sculpture piece at the WACK! exhibit a few months ago, I was incredibly moved. (The entire friggin exhibit was moving. It’s open for a few more days kids!!!) She makes the concept of crash-dieting over 36 days highly unglamorous and real juxtaposing the classic idea of a Greek sculptor chipping away excess marble to reveal an “inner beauty”.

I can go on forever about Antin, but there are handfuls of other artists to see at this contemporary exhibit. So go, and be sure to share your thoughts.